Wednesday, September 29, 2010

DARTFORD FOLK CLUB UPDATE 29 September 2010

DARTFORD FOLK CLUB UPDATE

 

BBC Radio 2 Folk Club of the Year 2008 – check out the following link:

http://www.dartfordfolk.org.uk/dfc_award08.htm

 

Dartford Folk Club meets on Tuesday from 8.30 to 11.00 p.m. at Dartford Working Men’s Club in Essex Road, Dartford.

 

*  Floor Singers Welcome – ring Pam or Alan on 01322 222553.

 

*  Drinks at club prices, including up to 15 real ales!  Draft ciders, coffee & tea also available.

 

FORTHCOMING GUESTS:

 

OCTOBER 5TH – BEVERLY SMITH & CARL JONES
(
http://www.smithnjones.net/index.html)

Carl Jones and Beverly Smith have been part of the traditional music scene for years, playing just about anything with strings and tossing in vocal harmonies in various bands and formations.  Carl is a singer songwriter who plays mandolin, banjo and fiddle.  Beverly is a highly respected guitar player and is also in demand as a singer, fiddler and dance caller.  Together, they are a most engaging old timey duo.

 

OCTOBER 12TH – COLUM SANDS
(
http://www.columsands.net/)

Colum Sands, a member of the internationally renowned Sands family from County Down, first established his reputation as a singer songwriter in 1981.  He has a gift for breaking down cultural barriers through eloquent words and music and many other artists have covered his songs, including Roy Bailey, Billy Connolly, Maddy Prior and June Tabor.  Colum is also a naturally witty raconteur – come and enjoy!

 

OCTOBER 19TH – JAMES KEELAGHAN (CANADA)
(
http://www.keelaghan.com/ & http://www.jacey-bedford.com/keelaghan.htm)

James Keelaghan is one of Canada's best-known exports on the folk circuit, renowned for mining the past for musical inspiration, both as a songwriter and an interpreter of others’ material.  His most celebrated songs turn epic tales into deeply moving pieces that strike a personal chord.  This year he is touring with bassist David Woodhead, a fine musician in his own right.  It promises to be an evening not to be missed!

 

OCTOBER 26TH – ELBOW JANE
(
http://www.elbowjane.com/)

Elbow Jane are Kev Byrne (guitars, keyboards, vocals), Chris Chesters (bass guitars), Steve Finnegan (percussion), Joe Topping (vocals, guitars, mandolin, harmonica) and Richard Woods (guitars, bazouki, vocals).  They have established themselves as one of the UK’s best acoustic acts, performing at festivals and clubs countrywide.  Their unique blend of instruments is complemented by expressive vocals and wistful harmonies.

 

COMING UP IN NOVEMBER

November 2nd – Bob Fox (http://www.bobfoxmusic.com/)

November 9th – Ashley Hutchings & Ken Nicol (http://www.folkicons.co.uk/ashley.htm & http://www.kennicol.co.uk/)

November 16th – Johnny Silvo (http://www.perrottsfolly.com/JohnnySilvo.html)

November 23rd – Johnny Dickinson (http://www.johnnydickinson.com/)

November 30 – Jez Lowe & The Bad Pennies (http://www.jezlowe.com/)

 

For more information on the club (including directions on how to get there) and listings of guest performers past, present and future (INCLUDING SOME FANTASTIC NAMES IN 2011), please visit our website at http://www.DartfordFolk.org.uk/.

 

Enquiries concerning the club are generally best addressed to Pam or Alan on 01322 222553 or by email at pam@collsp.plus.com.

 


Posted via email from Andy Roberts

Sunday, September 26, 2010

Open Plaques Open Day

Open Plaques Open Day

No breakfast before going out on a Saturday!?  The reason why I was in a hurry to leave the house early yesterday was to get to the Open Plaques Open Day at the Centre for Creative Collaboration near Kings Cross Station.

Centre for Creative Collaboration - Venue for Open Plaques day

I know the venue from the Tuttle club, which I have attended once or twice there. The Open Day was due to kick off at 09.50 with a presentation by Frankie Roberto about “How We Got To Where We Are” which I didn’t want to miss. Well, I did manage to get there in time, despite the fact there were no trains at all on the Circle, Hammersmith and City, and District Lines in that direction. (Weekends are a bad time to get about in London, midweek breaks are better).

So Frankie talked a bit about how he sent out a tweet once wondering if there was a database somewhere of Blue Plaques, and how the answers came in suggesting things, none of which were at all adequate. The best resource available was a single page on one of the plaque erecting organisation  sites. So he scraped the list into a database and started trying to parse it into meaningful data, using his linguistics abilities.

Lenin


Lenin by Simon Harriyott - Plaque #2210

Another useful source of information would be the pictures on Flickr, and these could be geotagged which then provided a link into the new Open Plaques database. Once the people at Flickr had made a blog post about the Open Plaques group and integrated the special tag

ging into Flickr itself, then there was no turning back. Open Plaques could not be switched off, it was now more than just an experiment. The provision of an api to send the data out again meant that satellite applications could be built by creative people

and these would find new and unthought of uses for the growing system. There was also a graph which showed the steady growth in numbers of plaques added during the lifetime of the project. This graph could be expected to turn dramatically upwards once there is an easy way to add new plaques, which at present requires somebody from the “core team” to do it!

Morning Agenda

09:50 – 10:05 – Frankie Roberto, ‘The Story So Far’
10:05 – 10:20 – Ian Ozsvald, ‘The OCR Challenge
10:20 – 10:35 – Richard Vahrman, ‘Games based on Open Plaques data’
10:35 – 10:50 – Emily Toop, ‘Open Plaques the iPhone app

Next up we had Ian Ozsvald using a subset of the pictures of plaques as an AI research project to see how well they could get OCR software to recognise the writing in the plaques. This makes a nice real world example dataset which can help to advance the science of artificial intelligence and character recognition in the real world. The vision is that one day soon you will be able to simply wave your phone camera about in a room and it will automatically detect any faces present, take a picture of each of them and store it with their names and the geolocation of the place on a map, as well as read any text that is being displayed in the room, on the walls or from a projector for example, and store that as well with the date, time, place and list of attendees etc. It can’t be done yet, but this will be mainstream in just a few years, he said. Is that scary? Then an iPhone app which is being built to show all the plaques nearby as pins on a map which you can get information about. The future is mobile, and anybody who isn’t intending to get a smart phone within the next twelve months might as well just go and live in a cave somewhere, cut off from all of technical society. And a mobile app that turns it into a game, which has gone through some transitions. Based on a treasure trail type model, the app ended up giving out directions for how to get to the next plaque, so that was just too easy and not fun. The clever idea was to take a picture with your back to the plaque, of the view from the plaque as it were, which can then be used in a “Guess where Plaque” game, with the numbers on the plaques adding up to link references which tells you where the pub is. Some of the people just wanted to take a short cut to the pub though, which is fair enough.

So then we broke up into groups to try and further the project from different angles. One team discussed the future direction from from the developers point of view, one looked at design I think, and the group I joined discussed content. We brainstormed about “who are the different types of users” who may have an interest in Open Plaques, both current and potential, came out with some wistful ideas for addons and expansion, hammered out the concept of what a plaque is, looked at the different page types, the additional information that could be included within the database or on a specific page, and suggested new functions and concepts. If it came down to just one new facility that would make the biggest difference that would be the ability to Nominate a New Plaque which would then sit alongside the existing plaques as a ‘virtual plaque’. I chose this as the most important because it’s a disruptive move which takes the initiative out of the hands of the few organisations who very slowly make the decisions as to which locations or historical figures are worthy of a plaque, and puts it into the hands of the ordinary person, or the ordinary Open Plaques user. It was interesting to note that most of the small group of people present, some of whom admitted to being mildly obsessed with plaques, one who described herself as being a “plaques widow” and half of whom seemed to come from Brighton, all had a clear idea that somewhere out there would be the “ordinary Open plaques user” for whom the grand service is being refined and must be orientated. What the ordinary user, should such a group of people come into being at some point, will make out of of all this, of course has yet to be seen.

I found the whole topic a lot more interesting than I had originally anticipated to be honest, and far from feeling that I wouldn’t have anything to contribute, did my best to add in and highlight what I felt to be the most pertinent ideas. Using the theory of Social Objects it seems fairly clear that the principal page type and the url at which the casual visitor arrives should be the plaque itself rather than the person or place. The verbs then need to encourage contributions in order to help build out the community around plaques in general, and perhaps temporarily around individual plaques, probably asynchronously. “Add a Plaque”   “Edit this Page” or even “check in here” are contenders for prominent verbs on the page, but you have to remember that this is a small and in some ways unlikely project, that just happens to have gained enough momentum to become sustainable, but is unlikely to attract enormous resources for development and maintenance. Definitely something to keep an eye on though.

Related posts:

  1. Open: LinkedIn to open up. MySpace next?
  2. Open Social Objects?
  3. Flickr Ideas
  4. Communicating on a wiki
  5. Open thread for lurkers
  6. Joomla 1.5 and the limits of open source development
  7. Frankie’s entry for a new BBC Homepage
Print article This entry was posted by Andy Roberts on September 26, 2010 at 4:43 pm, and is filed under Crowdsource, Flickr, London, Object Centred Sociality, social objects. Follow any responses to this post through RSS 2.0. You can leave a response or trackback from your own site.
No comments yet.

Rachel_Armstrong

#TEDxTuttle – Rachel Armstrong Living Architecture

about 1 year ago - 3 comments

Rachel Armstrong was one of the speakers at Ted X Tuttle yesterday, talking about her work with proto cells to create a new living architecture (non belligerent) which holds out a prospect of rescuing Venice and then the world. Rachel is unashamedly anthro-optimistic and radiates intelligent thinking with almost every well chosen word. I think

Additional comments powered by BackType

Posted via email from Andy Roberts

Friday, September 24, 2010

Interesting North

Badges and Metal Plates

Dear General Manager,

We got  from reliable source that you are in the business of  badges and metal plate .

We are a special badges & metal plate supplier and manufacturer  ,our products are badges,metal plates, medals, decorative hangers, cards and buttons. commemorative coins, keychains and other metal crafts!

We own auto-injection machines imported from Germany, advanced electroplating equipment, punchers, presses, zinc-casting machines, computer-controlling card machines and other necessary equipment. We have set up a production line composed with designing, mold-opening, punching, casting, card making, injection, roasting, painting,&nbs p;oxidizing and electro-plating machines. 

As a  professional manfacturer of badges and metal plate , we would like to establish a long term business relationship with your esteemd company on the basis of equality and mutual benefit.

For further details for the badges and metal plate ,please contact with us !

Thank you!

Best Regards!

Taije

Zhejiang Zhongda Manufacturing Group limited
Address: No.6 factory,Linpin District, Hangzhou City,310014,China

Posted via email from Andy Roberts

Goose Call

Thank you for your recent order. Below is your confirmation that we received your order. Please
review the information below and notify us immediately if you have any questions.

Customer Service
Rogers Sporting Goods
(816) 781-9026
fred@rogerssportinggoods.com

--------------------------------------------------------------
ORDER CONFIRMATION                    Invoice No. 44460

Bill To:
Austin Roberts
817 N. Buckeye
Abilene KS 67410
US
785-200-1309

Ship To:
Austin Roberts
1700 N.W. 14th St.
Abilene KS 67410
US
785-200-1309

Order Date:    9/23/10
Payment By:    Visa
Confirmation No:   C98663430
Shipment Tracking:


Rogers Sporting Goods Items
       1 Zink Calls NOS (Nightmare on Stage) Goose Call  (Pearl Swirl) @ $154.99 = $154.99

Sub-Total: $154.99

Shipping: $7.23 (UPS Ground)
Sales Tax: $0.00
Rogers Sporting Goods Total: $162.22

Store Credit: -$0.00

TOTAL DUE: $162.22

NOTICE: These fees do not necessarily represent rates charged by UPS and may include handling charges levied by
Rogers Sporting GoodsUPS®, UPS & Shield Design®, and UNITED PARCEL SERVICE® are registered trademarks of United Parcel Service of America, Inc.

Posted via email from Andy Roberts

India

India

Download now or preview on posterous
IndiaMemo2.doc (28 KB)

Download now or preview on posterous
IndiaMemo2.rtf (55 KB)

Posted via email from Andy Roberts

Thursday, September 23, 2010

Wednesday, September 22, 2010

Podcast 12 The Same Old Songs – And Some New Ones

Podcast 12 songs by Andy Roberts, Roy Harper, The Bonzos, Ralph McTell

Back to  Tuesdays as usual for this week’s podcast, recorded live on 21st September, a day when the day and night are of equal length everywhere on our plant, and also when Jupiter was clearly visible at it’s closest point for at least twelve years.

There are two Roy Harper songs in this weeks podcast, one Andy Roberts original, a Bonzo Dog Band single and a Ralph McTell golden oldie.

Here is the tracklist of links and show notes for Podcast Episode 12:

 Podcast 12 The Same Old Songs - And Some New Ones [28:22:00m]: Play Now | Play in Popup | Download

Subscribe to the podcast RSS feed using the url:

http://andyroberts.me/?feed=podcast

Subscribe in iTunes: http://itunes.apple.com/us/podcast/andy-roberts/id378470885

You can also download the MP3 audio file which is 27.3Mb in size and 28 minutes 22 seconds in duration from this link

12 Andy Roberts Podcast Episode 12.mp3

Podcast Episode 12 Show Notes

Show notes and information for Podcast Episode 12 broadcast on September 21st, published on September 22nd 2010.

1) IF – written by Roy Harper

IF is a song by Roy Harper from the album “Once“.

2) The Nutmeg Tree – Andy Roberts

I wrote The Nutmeg Tree while waiting for a London restaurant to reopen so I could get back my bag which I’d left behind the night before.  I may have done this before on the show

3) Last Train and Ride – Lyrics and Music by Ralph Mc Tell

Ralph McTell recorded this on his early Spiral Staircase LP. I said during the show that I know it from Ralph Mc Tell but it’s probably an old jazz blues classic, and of course that turns out not to be the case at all.  There’s even an account of the writing of the song on Ralph’s site here :

http://www.ralphmctell.co.uk/feat_spiral.php

Last Train and Ride emerged from my putting random chords together i.e. C followed by B7th and, in my naïvité, I imagined that such a musical combination could never have been done before. It became the hook for the song.

4) The Same Old Rock – Roy Harper Song

The Same Old Rock is of course a classic favourite of mine, so I try to do it justice from time to time, and anyway I enjoy singing it almost whenever I get the chance. There are about 12 minutes of it here.

5) Urban Spaceman – The Bonzo Dog Band

I’m The Urban Spaceman was a single by the Bonzo Dog Doodah Band in 1968, written by Neil Innes and produced by Paul McCartney and Gus Dudgeon under the pseudonym “Apollo C. Vermouth”

I used to do this for the cinema queues on the Champs Elysees back in my Paris busking days, but there’s no reason why it shouldn’t be performed in a folk club these days. Or on an Andy Roberts podcast for that matter.  Disclaimer: The Andy Roberts behind the Andy Roberts podcast has nothing at all to do with the Three Bonzos And A Piano who do occasional gigs in the UK.

Posted via email from Andy Roberts

Saturday, September 18, 2010

Havering Folk Club News 18th September 2010

Havering Folk Club News

18th September 2010

 

Hi all,

 

Peter here

 

Last Session:

Well, what a terrific evening we had on Wednesday, 15th September. We usually have a great time on Wednesdays, but I think this must have been one of our best ever. Our guest artists, John Thompson & Nicole Murray aka Cloud Street were absolutely superb, giving us accomplished playing, good, powerful singing with beautiful harmonies, all put over with winning personalities and great “togetherness”.

 

We also managed to fit in 11 floor spots which I introduced. We enjoyed two songs each from Foxen, John Clarke, Smolowik, Andy Roberts and Margaret Brown, plus some step dancing from Sheila Grainger accompanied on this occasion by “The Fox”, John Eason. Others were able to sing just one song, namely Kriss Pouch (well, he played a new and unusual flute actually!), Jane Thomson, Tony Thomson, John Hare and a Havering Folk Club virgin, Claire Colley. A neighbour of Smolowik, he’s been trying to persuade her to come along for some time and she proved really popular with the audience. We want you back again Claire!

 

Our guests seemed quite impressed with us too. John said to me that it was a club full of excellent singers and I saw Nicole trying out Kriss’ flute after the session as well.

 

The Guv:

Simon’s now out of hospital and walking about. He’s got a couple of pad thingies on his back and gives himself an electric shock with them every half hour or so which eases the discomfort from his back. Some of the ladies at the club told me what they’re called on Wednesday, but I’m afraid I’ve forgotten again. His breathing is much easier now although quite back to normal. I ran into him by chance in Sainsbury’s a couple of days after my visit and he wasn’t doing too badly.

 

Haverfolkies’ Outside Activities:

Norman Faulkner took part in the open session at the Wat Tyler Festival last week and has asked me to point Haverfolk in the direction of his Facebook site under his altar ego Jed Jahsson.

 

Dave Worley is involved in a morning session on Friday September 24th on behalf of the McMillan Cancer Fund. Anyone interested in doing a brief set or simply finding out more should contact Dave direct on 01277 632701 or 07940 813599  or e-mail dave.worley@talktalk.net   I believe events take place at various locations so there should be one near you.

 

Other Stuff:

Chelmsford Morris (a great side by the way), hold their annual ceilidh on Saturday, 16th October 2010 at Hylands School, Chelmsford, CM1 3DF. The band is The Most Unexpected Band and they kick off at 7.30pm. The cost is £8 and you should bring your own food and drink. Tickets on the door or in advance from 01206 213884. I’ve attached a JPEG of their flyer which you can download if you’re able to help by displaying it, or they send you a handful if you phone ‘em.

 

Next Merry Meeting:

Next Wednesday, 22nd September is another of our (extra)ordinary open sessions, when all are welcome to do a floor spot for us. The first 15 to put their names on the MC’s list are guaranteed two songs, after that it depends how many more we have, but we always try to fit everyone in for as many as we can. So, Make it a date – Wednesday at eight! at Havering Folk club – the feelgood folk club.

 

Cheers – Peter W.

 

 

Havering Folk Club, The Golden Lion, 2 High Street, Romford, RM1 1HR

 

01708 724544                  07860 452623                  haverfolk@yahoo.co.uk

                                           www.haveringfolkclub.bravehost.com


Posted via email from Andy Roberts

UsefulWiki popular pages

I just wanted to point out the most popular page on the Useful Wiki by far at present which is the High Frequency Words List by Year . That must be a very useful resource for educators who are planning on using high frequency words for phonics and spelling checks. Then after the Main Page, the next most frequently accessed has been the Teaching Assistant -skills and qualities page. With the change in government during this year there has been a lot of interest in the role of Teaching Assistants, though nobody can be sure which way it will go in the proposed education cuts.

Posted via email from Andy Roberts

Soccer Challenge kit

Hi Adam, I just talked with Kevin and he told me you offered to drop off the Soccer Kit this evening.  I need to cut up a couple of deer, so if you could drop it off at my house, it would be greatly appreciated.  Windgate Dr. (2 blocks east of church).  Please confirm either way by phone  as I won't have the computer nearby while I'm cutting meat.
 
Thanks,
Mike London

Posted via email from Andy Roberts

Friday, September 17, 2010

Diaspora Developer Release 0- Open Source Facebook

Developer Release

15 September 2010

Today, we are releasing the source code for Diaspora. This is now a community project and development is open to anyone with the technical expertise who shares the vision of a social network that puts users in control. From now on, we will be working closely with the community on improving and solidifying Diaspora.

We began the summer with a list of technologies, a few bold claims, and the goal of making an intrinsically more private social network. The overwhelming response that we elicited made us realize that technology woudn’t be enough. Even the most powerful, granular set of dropdowns and checkboxes will never give people control over where their content is going, let alone give them ownership of their digital self.

We live our real lives in context, speaking from whatever aspect of ourselves that those around us know. Social tools should work the same way. Getting the source into the hands of developers is our first experiment in making a simple and functional tool for contextual sharing. Diaspora is in its infancy, but our initial ideas are there.

Diaspora now:

  • Share status messages and photos privately and in near real time with your friends through “aspects”.
  • Friend people across the Internet no matter where Diaspora seed is located.


  • Manage friends using “aspects”



  • Upload of photos and albums
  • All traffic is signed and encrypted (except photos, for now).

Things we are working on next for our Alpha in October:

  • Facebook Integration
  • Internationalization
  • Data Portability

These are our current priorities, for more detail check out our roadmap.

Much of our focus this summer was centered around publishing content to groups of your friends, wherever their seed may live. It is by no means bug free or feature complete, but it is an important step for putting us, the users, in control. Developers, our code is on github, our tracker is public, we have a developer mailing list, and we are happily accepting patches:

To stay up to date with the progress of Diaspora:

PS:
Feel free to try to get it running on your machines and use it, but we give no guarantees. We know there are security holes and bugs, and your data is not yet fully exportable. If you do find something, be sure to log it in our bugtracker, and we would love screenshots and browser info.

The Open Source privacy focussed alternative to Facebook went live today.

Posted via email from Andy Roberts

Thursday, September 16, 2010

Psychonomic Society Call for Governing Board Nominations

Dear Albert E. Roberts:

I am writing to ask you for nominations of members to serve on the Governing Board of the Psychonomic Society.  The term would run 2011 - 2016.  You may nominate up to 4 individuals. Nominees must be Members of the Society and cannot include any of the current members of the Governing Board (Mary Peterson, Brian Ross, Judith Kroll, Nelson Cowan, Robert Nosofsky, Stephen Lindsay, Reed Hunt, Jeff Zacks, Michael Anderson, Helene Intraub, Colin Macleod, Jeremy Wolfe). 

In making your nominations, you are especially encouraged to consider individuals from underrepresented groups.  You may nominate yourself and you are free to encourage colleagues to nominate anyone that you consider particularly worthy of nomination. We hope to encourage greater participation in the nominating process; in the past, the number of nominating votes sufficient to place a person on the ballot has been relatively low (i.e., single digits).

 

The nominating period closes on September 25th, but I encourage you to submit your nominations now while you are thinking about it.  

To submit nominations, simply send an email to Kathy Kuehn at The Rees Group with up to 4 names and affiliations.  Please put “GB nominations” in the subject line of your email.  

  

 Sincerely,

 

 Laura Carlson
 Secretary/Treasurer, Psychonomic Society

Posted via email from Andy Roberts

Wednesday, September 15, 2010

Time capsule September 2010



September 8th to September 22nd, 2009
A selection of  most interesting photos from one year ago.


Cambo-10-09-2009 013

Taken September 10, 2009 at 1:15 pm



Crail-09-09-2009 053

Taken September 9, 2009 at 12:35 pm



Eider Duck, off Kingsbarns Beach

Taken September 11, 2009 at 6:02 pm



Forth Road Bridge Scotland

Taken September 12, 2009 at 1:37 pm



IMG_3986

Taken September 18, 2009 at 5:58 pm

Posted via email from Andy Roberts

Tuesday, September 14, 2010

11 : Podcasting Andy Roberts Music

It's nice having the podcast out one day ahead of schedule, it gives me a nice feeling of not having something to do.

Podcasting a day early with the Andy Roberts music podcast Episode 11

So this week’s podcast was recorded a day early, on the Monday instead of Tuesday, not that that will make much difference to podcast subscribers, who mostly seem to like to download the show about one week after it’s been published, but for those of you who might on occasion turn up for the live show at 7.00pm, I won’t be there at all some Tuesdays, and this was one of them.

Knowing that I was effectively playing to an absent live audience had a curious effect on the performance, which I would describe as slightly more random in a creative sort of way, but Linda described as “less in the flow”. I was worried that it wouldn’t be good enough for me to want to put out at all, so I carried on after the half hour but in the end that just made it a bit more difficult to edit down to size, something I’d prefer not to do really.

So the original full length video file saved over on Ustream is not worth keeping really, due to the failing daylight at this time of year on a cloudy September evening, and me not having bothered to find the lamp. I kind of like lurking in the dark though :-)

Episode 11, Episode 11 aroberts on USTREAM. Folk

Andy Roberts is being kept in the dark

is the tracklist of links and show notes for Podcast Episode 11:

 Standard Podcast [00:29:57m]: Play Now | Play in Popup | Download

Subscribe to the podcast RSS feed using the url:

http://andyroberts.me/?feed=podcast

Subscribe in iTunes: http://itunes.apple.com/us/podcast/andy-roberts/id378470885

You can also download the MP3 audio file which is 28.8Mb in size and 29 minutes 57 seconds in duration from this link

10 Andy Roberts Podcast Episode 11.mp3

Podcast Episode 11 Show Notes

Show notes and information for Podcast Episode 11 broadcast on September 13th, published on September 14th 2010.

1) Century

A Millenium song written by Andy Roberts around 1980

“Century is my song for the Millennium, written in the early eighties looking forward to the year 2000. It’s called “Century” because the term Millennium wasn’t so much in use then, nobody much had started thinking about it yet, and I was still writing COBOL computer programs with 2 digit years”

2) I Am The Way

Song by Loudon Wainwright after Woodie Guthrie’s “Standing Down in New York Town”. Just noticed I played this not long ago, in podcast 7 oh well.

3) You Ain’t Goin’ Nowhere

Bob Dylan Song from Greatest Hits Vol 2

4) Mondura Dam – Andy Roberts song

I may have played this recently, not sure now, but anyway here it is again but this time on the 12 string guitar. Music and Lyrics by Andy Roberts.

5) Norwegian Wood – Beatles

I kind of love/hate this song, so I’m trying to reinterpret it. The video below will be from a live performance at Havering Folk Club

6) Me and my Friend the Cat

One of the early songs by Loudon Wainwright – performed on his birthday. Happy birthday Loudon. Next time I’ll remember the lyrics, OK.

Each week is a bit different, and this one was slightly random.

Posted via email from Andy Roberts

Health Food Imports

Dear Mr. Arnil Roberts,
 
I am the mother of Vanessa, Heidi & Trudi Johnson with whom you use to swim at the University school. My attention was caught this morning by The Natural Medicine Centre who has a shipment of  health producing Products waiting to be cleared by Customs. These Products have been coming into the country for the last 10 years, but now they are being denied entry of these goods.. One of the products is Flax Seed Oil, which is very good to prevent cancer and high cholesterol. Do we not want to promote a healthy lifestyle in our country?
 
I am directing this letter to you as our Minister of Sports. We want to start with our youth to have a healthy eating habit, and also for the general population.  The company that is importing these health products is:The Natural Medicine Centre at 25 Alexandra Street, St. Clair,6285649.
 
I have mentioned your new position here in Trinidad  to my daughters and they were delighted to hear of it.
 
Could you please see what action you could take, to assist in putting this matter right.
 
Your truly,
 
Krimhilde Johnson

Posted via email from Andy Roberts

Monday, September 13, 2010

Evan Roberts Weblog

Looks like Evan's found the sidra as well as everything else all round Spain

Posted via email from Andy Roberts

Sunday, September 12, 2010

Pennine Waterways News Blog: Radio 4 Programme on Leeds and Liverpool Canal

Linda listened to this programme on Radio 4 and found it shocking. Some of the live aboarders are stuck up on the moors for weeks because they didn't listen properly to the low water level warnings. The man from British Waterways said that the canal is 200 years old and has always had problems with water shortages in the summer. The boat hire companies who do canal boating holidays have had a bad year too.
BBC Radio 4's "Open Country" programme was devoted to the Leeds and Liverpool Canal this week.

In particular the programme dealt with some of the issues around the closure of the 60-mile stretch between Wigan and Gargrave.

Presenter Helen Marks spoke to boaters who live aboard boats on the canal. She spoke with BW's Vince Moran about the reason for the recent closure of almost half of the canal. Mike Clarke of the Leeds and Liverpool Canal Society tells Helen about the canal's history and about his involvement with the Short Boat Kennet, one of the last unconverted boats which worked on the Leeds & Liverpool Canal.

The programme can be listened to on-line for the next few days by following this link.

How long will it be before the reservoirs fill up with rain water and canal boating holidays can resume again?

Posted via email from Andy Roberts

First audioboo, to announce the podcast

Andy Roberts Screenshots

This is the website where I upload some of my screenshots:
Check out this website I found at Andy Roberts scrnshots.com
That last one is the new theme for Andy Roberts DARnet blog

Posted via email from Andy Roberts

DARnet Andy Roberts - What does this sign mean?

"DARnet Andy Roberts" - 1 new article

What does this sign mean?


Eurostar Breaks to Lille

Originally uploaded by AndyRob

You can treat this as a caption competition if you like, as I was genuinely baffled as to what exactly was being forbidden here.

Thanks for subscribing to Andy Roberts blog

What does this sign mean?

Related posts:

  1. 12 months ago
  2. Asylum Seeker Contact Point
  3. Harley Dudes
   

More Recent Articles

Posted via email from Andy Roberts

Saturday, September 11, 2010

Andy Roberts Videos on Beefheart dot Com

Here a some golden birdies, bits, bobs and doodads for your delectation:

Moris Tepper has a new CD out called A Singer Called Shotgun Throat, a title suggested by Don apparently. Full details can be found on Moris's website - http://www.candlebone.com/pages/musicnews.shtml

For those manic collectors out there I've been trying to document all the Beefheart titles available as flexi discs. These are strange releases emanating from Russia and Poland. Check out what I've found so far on this Russian flexi discs page. If you've got others please let me know.

YouTube continues to be a great source for hearing attempts at Beefheart covers. Here's a selection of some I've come across just recently:

British folk guitarist Andy Roberts has put up two versions of Grow Fins:
plus he makes a valiant attempt at Big Eyed Beans From Venus on the ruan (a Chinese lute!), which has got to be one of the oddest instruments used for any Beefheart cover.
Joe Mink has covered One Red Rose That I Mean:
Martyslartibartfast has posted a dirty garage cover of Plastic Factory with a wonderful Three Stooges film accompaniment:
And there's a falsetto version of Ain't No Santa Claus On The Evenin Stage if you can stomach such a thing:

Grant O'Neill has published a couple more entertaining articles about his friendship with Don during the sixties:
He's also written some pieces about Zappa too if you're interested:

Another sculpture by Agostinho Rodrigues - a family of penguins - has come to light. And the person who told me about it was also able to supply a few more background details about this mystery man. Take a look at my updated Don Vliet and Agostinho Rodrigues article

Posted by Steve at 3:13 PM - post a comment

Thanks for including my humble attempts at Beefheart on the Up Sifter blog

Posted via email from Andy Roberts

Thursday, September 09, 2010

Deathtrap at the Noel Coward Theatre

This is a very accurate and fair review of Deathtrap the play by Interval Drinks.

Deathtrap at the Noel Coward Theatre

In order to generate publicity for his 1959 thriller The Tingler the film director William Castle is supposed to have installed buzzers under the seats of certain cinemas in which the film was playing in order to give his audience a rather literal jolt.

From the way the women in front of me leapt into the air during a key moment in Matthew Warchus’ revival of Ira Levin’s 1978 comedy thriller, Deathtrap, it looked a lot like Castle had been tinkering with their chairs.

For the most part Warchus’ production is a slick and solid revival of a play that doesn't quite make the case for all the love that has been lavished on it. There are a couple of proper shocks but there’s also a constant flow of self-reference, which is amusing at first but becomes a little tedious towards the end.

The play begins with faded playwright Sidney Bruhl receiving a manuscript in the post from a former student. Bruhl hasn’t had a hit in years and has been living off his wife’s money so this play, a well-constructed, marketable “five-character, two-act thriller with laughs in all the right places,” is the kind of thing he might literally kill for. He invites the young writer to his Connecticut cottage to talk things through as his increasingly nervous wife, Myra, watches on, worried about what her husband might be driven to do.

The story that follows is stuffed with twists and bluffs and double crosses. Part of the joy comes in the element of surprise, in not seeing these turns and lurches coming (the programme urges the audience not to give things away and spoil it for others), so it’s difficult to discuss the plot further without divulging too much.

Levin’s play doubles as a pastiche of the genre it inhabits and the characters are forever pointing out how what’s happening would make a good play. In fact in the second act, one of them begins to write that very play, adding to the already thick layer of self-reference. The first half is rather talky and slow to get going but, once it’s been established that nothing is quite what it initially appears, Warchus maintains an admirably high level of tension (that fact that Bruhl’s home is strewn with weapons, theatrical souvenirs and antique finds, helps considerably in this regard).

Though it’s probably fair to assume that the meta elements of Levin’s play felt fresher when it was first staged, the constant commenting on its own structure, which begins as a fairly witty conceit, soon becomes an overused device, one that acknowledges but doesn’t compensate for the occasional weaknesses of the writing; it sometimes feels as if the play is not so much winking at the audience as winking at itself in a mirror just over their shoulder.

That said, Simon Russell Beale is predictably delightful as Bruhl; his timing is impeccable, each gesture and glance well-judged, and he gives the character a surprising level of emotional complexity, one perhaps not supplied by the writing. Glee’s Jonathan Groff is able enough as the young playwright, Clifford, respectful and eager but also clearly ambitious. Claire Skinner however seems ill at ease as Myra, her accent wavering, and Estelle Parsons casts asides any notion of nuance in her cameo as the psychic Swede, Helga ten Dorp.

Rob Howell’s beamed barn-like set is impressive and full of shadows, an effect heightened during the inevitable climactic thunderstorm. But though the production as a whole is undemanding and fun, it can feel a bit overstretched and at times a bit self-satisfied; its entertaining nature however helps override some of these niggles.

Reviewed for musicOMH

Labels: , , , , , ,

posted by Interval Drinks at 6:02 AM

Yes, we went to see Deathtrap on Monday and would pretty much agree with all of this. It's an entertaining play but really doesn't stand up to a modern revival, and you may be left afterwards thibk it was all just a bit of nonsense really.

Posted via email from Andy Roberts

Rearing carp: Dinner's in the small pond.

This is very interesting. At first I thought "No way you could possibly raise carp for eating in a small pond" but now I'm starting to look at it again. Mind you , the definition of a small pond is at least 3 metres squared, so that's not what we always mean by a small garden pond here,

First it was fruit and veg. Then we turned our hands to keeping chickens and bees. Could the next thing be using the garden pond to grow our own edible carp? Is it time for Gordon the Goldfish to move over?

Jimmie Hepburn, formerly a salmon farmer in Scotland and one of Britain's leading experts in organic aquaculture, certainly believes so. He argues that at a time of depleted wild fish stocks – predicted by some scientists to collapse by 2048 – backyard carp could play a vital role in feeding us.

The joy of carp is that, unlike most other farmed fish – which depend on a diet of meal made from wild fish (which further depletes fish stocks) – carp are omnivorous and devour almost anything. Basically, they're the aquatic equivalent of the household pig that was fattened on kitchen scraps.

"At present we're locked into a stone-age system of fish farming using wild fish that's completely unsustainable," says Jimmie. "Now that wild stocks are pretty much exhausted, we have to think of other ways of producing fish."

One answer, Jimmie believes, is back-garden fishponds like those that helped to feed us in medieval times. The challenge is to persuade Britain's pond owners to rear fish as food rather than ornament.

"Unlike on the Continent, in Britain we love our ponds – we have over two million in this country. So there's a huge interest already. Fish is part of our culture," says Jimmie, who admits to becoming hooked on fish at the age of five and now runs Britain's first organic carp farm.

"I chose carp as it's the easiest fish to rear, and the fastest-growing. And, unlike other farmed fish such as salmon and trout, they don't need lots of fresh running water."

This autumn Jimmy and his wife, Penny, will be running small-scale fish farming courses to help people get going. Last month they gave me a taster course at the 10-acre former trout farm, hidden in deep Devonshire countryside, that they bought in 2006. "All you need is a pond that's at least 3 by 3 metres," says Jimmie as we tour his 17 ponds, keeping an eye out for kingfishers which unfortunately are as enthusiastic about Jimmie's new venture as he is.

"We feed our carp a mixture of grains," he explains, showing me a tub of soaking grains that look much like my morning muesli. "The bigger ponds also get regular doses of organic cow manure, which creates its own ecosystem of algae and plankton that provides the fish with around half the food they need."

Carp ponds are great for children as they can help to feed the fish – anything from worms to bread, says Jimmie, who hopes soon to invite schools to visit so that children can be given a chance to grasp the idea of rearing their own edible fish. Will carp ponds one day be a feature of the school playground? I wonder.

"You stock your pond in the spring with baby carp. In around three years you will have plate-size fish which make a very presentable family supper. The best months to harvest them are November to February."

A murky carp pond may not be as eye-catching as an ornamental one, just as a veg patch can lack the visual appeal of a herbaceous border. But given the constant stream of inquiries he has received, Jimmie believes perceptions are changing. "Many people now find a pond that's producing for the pot more attractive than one that's just designed for the eye," he says.

So with carp as easy to grow as cucumbers, what's not to like? Some complain about the taste, which they say is muddy. Carp rarely features on restaurant menus and you'll be hard-pressed to find it in your local fishmonger or supermarket. Let's face it, from a gastronomic point of view, carp isn't cool.

In Britain, that is. But look further afield and you realise we're on our own. In Asia, among the Jewish community, and in Eastern Europe, carp is highly sought-after. More carp are farmed for the table worldwide than any other fish. In Poland and the Czech Republic the fish is the prized centrepiece of the Christmas festive dinner – visit any home on Christmas Eve and you're likely to encounter a carp languishing in the bathtub, waiting for its final knock on the head before being turned into a feast.

There are signs things may be slowly changing here in Britain. When Hugh Fearnley-Whittingstall did blind tastings for his TV series on fish two years ago carp came out surprisingly well. London's El Vino chain of wine bars has been putting Jimmie's carp on its menus, and several supermarkets now sell carp at Christmas, mainly for their East European clientele. Consumers are also increasingly eco-conscious, with many preferring to buy fish they see as truly sustainable to fish that's been fed a diet of wild fish and then flown across the planet.

A harder nut for Jimmie to crack will be Britain's four-million-odd anglers who are currently mourning the recent death of Two Tone, a gargantuan mirror carp which held the British record at 67lb 14oz and had apparently been caught no fewer than 50 times. With carp seen as deity rather than dinner (to borrow a phrase from Hugh Fearnley-Whittingstall), the idea of eating carp is considered unthinkable by anglers – but this is something Jimmie hopes to change. "Even anglers are going to have to face the fact that we're running out of food and that we're going to have to farm fish to feed future generations," he says. "I'm running this carp farm for my grandchildren. People talk about peak oil, but we reached peak fish about 15 years ago. We have to start thinking outside the box."

Jimmie is optimistic that both government and public will come round to seeing small-scale sustainable aquaculture as one viable solution. He points up the hill towards Dunkeswell Abbey, a Cistercian monastery founded in 1201. "The monks kept ponds with carp in them to eat on Fridays when meat was forbidden. The sea was 20 miles away, much too far to get fresh fish," he says. "We've come full circle. We're reconnecting with the knowledge that people had then, and realising that we have to work with nature rather than against it."

We are back at the shed where Jimmie keeps fish which are about to be eaten in special tanks. To purge them of their muddy taste, carp need to be kept in clean water for a couple of days. Jimmie nets a large pewter-coloured carp, whom I christen Charlie. As I hold him in my hands his scaly skin shines with a gold tint. Colour and size apart, he looks remarkably like the goldfish in my pond at home – perhaps not surprising given that they belong to the same family.

Charlie is dispatched and handed over to Penny, who works her culinary magic, stuffing him with ginger, lemongrass and peppers (see recipe). Half an hour later we sit down to lunch inside the farmhouse. I take a mouthful. It doesn't have a strong taste and there's a hint of sea bass. It slips down remarkably well and I'm soon back for more. I reckon I could happily enjoy home-grown carp on Fridays like those medieval monks. Carp and chips anyone?

Jimmie Hepburn is running small-scale fish farming courses at Upper Hayne Farm, Cullompton, Devon, on 18 September and 8-10 October (residential). Aquavisiononline.co.uk

How to grow carp

* Prepare your pond. You may be able simply to convert your existing pond, but if it's choked with weed and silt it will be less productive, so you should clear it and start again. Make sure your pond has an area where it is at least 2.5ft deep.

* Size. The smallest pond you could rear carp in would be 3 by 3 metres, ie 9sq metres. A slightly larger pond, eg 5 by 5 metres, is ideal. Garden-size ponds will probably require a filter and pump to stop them silting up. These cost around �250 upwards.

I haven't seen carp for sale in supermarket at Christmas time here yet but there are plenty of East European people about so I'll keep a look out this year.

Posted via email from Andy Roberts

Wednesday, September 08, 2010

Instead of blogs, email newsletters by paid subscription

Blogs are now so ubiquitous and the internet so vast that the information communicated in them loses its value the minute it's published. So, at least, believes Drop.io founder Sam Lessin, who recently created Letter.ly to launch — or, perhaps, relaunch — the subscription email newsletter as a new, premium alternative.

Billed as “the simple way to sell email subscription newsletters,” Letter.ly allows those with something to say to communicate it in a directed, private way to those who pay to hear it. Users begin by creating a free Letter.ly seller account. From there they create the name of their information “product,” receive a unique Letter.ly URL and set a price per month. They can also connect their Facebook account to post the subject lines of their letters as status updates, or a Twitter account to tweet them. Either way, interested readers can then subscribe to the email newsletter at the associated URL and pay through Amazon. Newsletters can be published as frequently as the user chooses, and subscribers can reply privately with comments. Users can unsubscribe readers at will, and they can also give away free subscriptions to those of their choice. When they're ready to collect their earnings, New York-based Letter.ly offers a simple way to “cash out.”

Lessin explains: “Delivering information to the inboxes of people I truly respect means that I can't get away with half truths/linguistic games. I need to truly believe what I say before I hit send.” At the other end, meanwhile, “anyone I don't know is free to signal real commitment to think about/comment back by paying. No slackers allowed.”

There are currently some 500 Letter.ly subscription newsletters in publication, most ranging from USD 1.99 to USD 4.00 per month. One to try out as a revenue-generating alternative to your information-rich blog...?

Website: www.letter.ly
Contact: wishes@dropio.com

Would you pay to receive a regular important newsletter that's relevant to what you do?

Posted via email from Andy Roberts

9/8 Andy Roberts Podcast Episode 10

Full details from the tenth podcast in the acoustic guitar series, as it happened, virtually unedited. For mellow listening while out and about on a journey somewhere, and with a call for reponses on individual songs on the andy roberts youtube video channel.

























     


















































































    Andy Roberts    
   

























10 : Andy Roberts Music Podcast
September 7, 2010 at 11:00 PM












 


Four Original Songs + 1 Bob Dylan in the Andy Roberts music podcast Episode 10



There’s a bit of an improvised introduction tune followed by four more original Andy Roberts music songs and a final Bob Dylan song in this weeks podcast, all played on the 12 string guitar. Two of the songs are  revivals from the Andy Roberts Tapes which was recorded in 1980, the other two are a bit newer, well Shifting Sands dates back to spring 2003 as far as I can remember and the Cajun cooking song was written on that Spain trip which immediately followed, so yes, two from the tapes and two from The Gernika album.



Here are the links and shownotes for Podcast Episode 10:







Subscribe to the podcast RSS feed using the url:



http://andyroberts.me/?feed=podcast



Subscribe in iTunes: http://itunes.apple.com/us/podcast/andy-roberts/id378470885



You can also download the MP3 audio file which is 24.4Mb in size and 25 minutes long from this link



10 Andy Roberts Podcast Episode 10.mp3



There’s also a stored video file from the live broadcast over at Ustream.tv where the podcasting event takes place on Tuesdays at 7.00pm UK time



Video Podcast Episode No 10



Podcast Episode 10 Show Notes



Show notes and information for Podcast Episode 10 broadcast on September 7th, published on September 7th 2010.



Improvised Intro



Ephemeral work with lyrics and music by And Roberts



Joan of Ark



Named after a specific Hotel in the Marais, Paris, Andy Roberts’ song Joan of Ark tends to get wheeled out every autumn due to the seasonal references. From The Andy Roberts Tapes



Shifting Sands



I may have played this recently, not sure now, but anyway here it is again. Music and Lyrics by Andy Roberts.





Suitcase



Another one from the tapes, and a kind of sequel to the above really. I’m not really completely comfortable with being the person who wrote this song, all that time ago, but the tune is catchy and the guitar runs were developed for the 12 string guitar, yes the same guitar.



Cajun Music Cajun Food



One of the Spanish songs, and still crying out for a fiddle and accordion but I do my best with the solo guitar.  From the album Gernika



I Shall Be Released



Music and lyrics by Bob Dylan, arrangement Andy Roberts











Media Files
10 Andy Roberts Podcast Episode 10.mp3 (MP3 Audio, 23.3 MB)