Friday, September 17, 2010

Diaspora Developer Release 0- Open Source Facebook

Developer Release

15 September 2010

Today, we are releasing the source code for Diaspora. This is now a community project and development is open to anyone with the technical expertise who shares the vision of a social network that puts users in control. From now on, we will be working closely with the community on improving and solidifying Diaspora.

We began the summer with a list of technologies, a few bold claims, and the goal of making an intrinsically more private social network. The overwhelming response that we elicited made us realize that technology woudn’t be enough. Even the most powerful, granular set of dropdowns and checkboxes will never give people control over where their content is going, let alone give them ownership of their digital self.

We live our real lives in context, speaking from whatever aspect of ourselves that those around us know. Social tools should work the same way. Getting the source into the hands of developers is our first experiment in making a simple and functional tool for contextual sharing. Diaspora is in its infancy, but our initial ideas are there.

Diaspora now:

  • Share status messages and photos privately and in near real time with your friends through “aspects”.
  • Friend people across the Internet no matter where Diaspora seed is located.


  • Manage friends using “aspects”



  • Upload of photos and albums
  • All traffic is signed and encrypted (except photos, for now).

Things we are working on next for our Alpha in October:

  • Facebook Integration
  • Internationalization
  • Data Portability

These are our current priorities, for more detail check out our roadmap.

Much of our focus this summer was centered around publishing content to groups of your friends, wherever their seed may live. It is by no means bug free or feature complete, but it is an important step for putting us, the users, in control. Developers, our code is on github, our tracker is public, we have a developer mailing list, and we are happily accepting patches:

To stay up to date with the progress of Diaspora:

PS:
Feel free to try to get it running on your machines and use it, but we give no guarantees. We know there are security holes and bugs, and your data is not yet fully exportable. If you do find something, be sure to log it in our bugtracker, and we would love screenshots and browser info.

The Open Source privacy focussed alternative to Facebook went live today.

Posted via email from Andy Roberts

Thursday, September 16, 2010

Psychonomic Society Call for Governing Board Nominations

Dear Albert E. Roberts:

I am writing to ask you for nominations of members to serve on the Governing Board of the Psychonomic Society.  The term would run 2011 - 2016.  You may nominate up to 4 individuals. Nominees must be Members of the Society and cannot include any of the current members of the Governing Board (Mary Peterson, Brian Ross, Judith Kroll, Nelson Cowan, Robert Nosofsky, Stephen Lindsay, Reed Hunt, Jeff Zacks, Michael Anderson, Helene Intraub, Colin Macleod, Jeremy Wolfe). 

In making your nominations, you are especially encouraged to consider individuals from underrepresented groups.  You may nominate yourself and you are free to encourage colleagues to nominate anyone that you consider particularly worthy of nomination. We hope to encourage greater participation in the nominating process; in the past, the number of nominating votes sufficient to place a person on the ballot has been relatively low (i.e., single digits).

 

The nominating period closes on September 25th, but I encourage you to submit your nominations now while you are thinking about it.  

To submit nominations, simply send an email to Kathy Kuehn at The Rees Group with up to 4 names and affiliations.  Please put “GB nominations” in the subject line of your email.  

  

 Sincerely,

 

 Laura Carlson
 Secretary/Treasurer, Psychonomic Society

Posted via email from Andy Roberts

Wednesday, September 15, 2010

Time capsule September 2010



September 8th to September 22nd, 2009
A selection of  most interesting photos from one year ago.


Cambo-10-09-2009 013

Taken September 10, 2009 at 1:15 pm



Crail-09-09-2009 053

Taken September 9, 2009 at 12:35 pm



Eider Duck, off Kingsbarns Beach

Taken September 11, 2009 at 6:02 pm



Forth Road Bridge Scotland

Taken September 12, 2009 at 1:37 pm



IMG_3986

Taken September 18, 2009 at 5:58 pm

Posted via email from Andy Roberts

Tuesday, September 14, 2010

11 : Podcasting Andy Roberts Music

It's nice having the podcast out one day ahead of schedule, it gives me a nice feeling of not having something to do.

Podcasting a day early with the Andy Roberts music podcast Episode 11

So this week’s podcast was recorded a day early, on the Monday instead of Tuesday, not that that will make much difference to podcast subscribers, who mostly seem to like to download the show about one week after it’s been published, but for those of you who might on occasion turn up for the live show at 7.00pm, I won’t be there at all some Tuesdays, and this was one of them.

Knowing that I was effectively playing to an absent live audience had a curious effect on the performance, which I would describe as slightly more random in a creative sort of way, but Linda described as “less in the flow”. I was worried that it wouldn’t be good enough for me to want to put out at all, so I carried on after the half hour but in the end that just made it a bit more difficult to edit down to size, something I’d prefer not to do really.

So the original full length video file saved over on Ustream is not worth keeping really, due to the failing daylight at this time of year on a cloudy September evening, and me not having bothered to find the lamp. I kind of like lurking in the dark though :-)

Episode 11, Episode 11 aroberts on USTREAM. Folk

Andy Roberts is being kept in the dark

is the tracklist of links and show notes for Podcast Episode 11:

 Standard Podcast [00:29:57m]: Play Now | Play in Popup | Download

Subscribe to the podcast RSS feed using the url:

http://andyroberts.me/?feed=podcast

Subscribe in iTunes: http://itunes.apple.com/us/podcast/andy-roberts/id378470885

You can also download the MP3 audio file which is 28.8Mb in size and 29 minutes 57 seconds in duration from this link

10 Andy Roberts Podcast Episode 11.mp3

Podcast Episode 11 Show Notes

Show notes and information for Podcast Episode 11 broadcast on September 13th, published on September 14th 2010.

1) Century

A Millenium song written by Andy Roberts around 1980

“Century is my song for the Millennium, written in the early eighties looking forward to the year 2000. It’s called “Century” because the term Millennium wasn’t so much in use then, nobody much had started thinking about it yet, and I was still writing COBOL computer programs with 2 digit years”

2) I Am The Way

Song by Loudon Wainwright after Woodie Guthrie’s “Standing Down in New York Town”. Just noticed I played this not long ago, in podcast 7 oh well.

3) You Ain’t Goin’ Nowhere

Bob Dylan Song from Greatest Hits Vol 2

4) Mondura Dam – Andy Roberts song

I may have played this recently, not sure now, but anyway here it is again but this time on the 12 string guitar. Music and Lyrics by Andy Roberts.

5) Norwegian Wood – Beatles

I kind of love/hate this song, so I’m trying to reinterpret it. The video below will be from a live performance at Havering Folk Club

6) Me and my Friend the Cat

One of the early songs by Loudon Wainwright – performed on his birthday. Happy birthday Loudon. Next time I’ll remember the lyrics, OK.

Each week is a bit different, and this one was slightly random.

Posted via email from Andy Roberts

Health Food Imports

Dear Mr. Arnil Roberts,
 
I am the mother of Vanessa, Heidi & Trudi Johnson with whom you use to swim at the University school. My attention was caught this morning by The Natural Medicine Centre who has a shipment of  health producing Products waiting to be cleared by Customs. These Products have been coming into the country for the last 10 years, but now they are being denied entry of these goods.. One of the products is Flax Seed Oil, which is very good to prevent cancer and high cholesterol. Do we not want to promote a healthy lifestyle in our country?
 
I am directing this letter to you as our Minister of Sports. We want to start with our youth to have a healthy eating habit, and also for the general population.  The company that is importing these health products is:The Natural Medicine Centre at 25 Alexandra Street, St. Clair,6285649.
 
I have mentioned your new position here in Trinidad  to my daughters and they were delighted to hear of it.
 
Could you please see what action you could take, to assist in putting this matter right.
 
Your truly,
 
Krimhilde Johnson

Posted via email from Andy Roberts

Monday, September 13, 2010

Evan Roberts Weblog

Looks like Evan's found the sidra as well as everything else all round Spain

Posted via email from Andy Roberts

Sunday, September 12, 2010

Pennine Waterways News Blog: Radio 4 Programme on Leeds and Liverpool Canal

Linda listened to this programme on Radio 4 and found it shocking. Some of the live aboarders are stuck up on the moors for weeks because they didn't listen properly to the low water level warnings. The man from British Waterways said that the canal is 200 years old and has always had problems with water shortages in the summer. The boat hire companies who do canal boating holidays have had a bad year too.
BBC Radio 4's "Open Country" programme was devoted to the Leeds and Liverpool Canal this week.

In particular the programme dealt with some of the issues around the closure of the 60-mile stretch between Wigan and Gargrave.

Presenter Helen Marks spoke to boaters who live aboard boats on the canal. She spoke with BW's Vince Moran about the reason for the recent closure of almost half of the canal. Mike Clarke of the Leeds and Liverpool Canal Society tells Helen about the canal's history and about his involvement with the Short Boat Kennet, one of the last unconverted boats which worked on the Leeds & Liverpool Canal.

The programme can be listened to on-line for the next few days by following this link.

How long will it be before the reservoirs fill up with rain water and canal boating holidays can resume again?

Posted via email from Andy Roberts

First audioboo, to announce the podcast

Andy Roberts Screenshots

This is the website where I upload some of my screenshots:
Check out this website I found at Andy Roberts scrnshots.com
That last one is the new theme for Andy Roberts DARnet blog

Posted via email from Andy Roberts

DARnet Andy Roberts - What does this sign mean?

"DARnet Andy Roberts" - 1 new article

What does this sign mean?


Eurostar Breaks to Lille

Originally uploaded by AndyRob

You can treat this as a caption competition if you like, as I was genuinely baffled as to what exactly was being forbidden here.

Thanks for subscribing to Andy Roberts blog

What does this sign mean?

Related posts:

  1. 12 months ago
  2. Asylum Seeker Contact Point
  3. Harley Dudes
   

More Recent Articles

Posted via email from Andy Roberts

Saturday, September 11, 2010

Andy Roberts Videos on Beefheart dot Com

Here a some golden birdies, bits, bobs and doodads for your delectation:

Moris Tepper has a new CD out called A Singer Called Shotgun Throat, a title suggested by Don apparently. Full details can be found on Moris's website - http://www.candlebone.com/pages/musicnews.shtml

For those manic collectors out there I've been trying to document all the Beefheart titles available as flexi discs. These are strange releases emanating from Russia and Poland. Check out what I've found so far on this Russian flexi discs page. If you've got others please let me know.

YouTube continues to be a great source for hearing attempts at Beefheart covers. Here's a selection of some I've come across just recently:

British folk guitarist Andy Roberts has put up two versions of Grow Fins:
plus he makes a valiant attempt at Big Eyed Beans From Venus on the ruan (a Chinese lute!), which has got to be one of the oddest instruments used for any Beefheart cover.
Joe Mink has covered One Red Rose That I Mean:
Martyslartibartfast has posted a dirty garage cover of Plastic Factory with a wonderful Three Stooges film accompaniment:
And there's a falsetto version of Ain't No Santa Claus On The Evenin Stage if you can stomach such a thing:

Grant O'Neill has published a couple more entertaining articles about his friendship with Don during the sixties:
He's also written some pieces about Zappa too if you're interested:

Another sculpture by Agostinho Rodrigues - a family of penguins - has come to light. And the person who told me about it was also able to supply a few more background details about this mystery man. Take a look at my updated Don Vliet and Agostinho Rodrigues article

Posted by Steve at 3:13 PM - post a comment

Thanks for including my humble attempts at Beefheart on the Up Sifter blog

Posted via email from Andy Roberts

Thursday, September 09, 2010

Deathtrap at the Noel Coward Theatre

This is a very accurate and fair review of Deathtrap the play by Interval Drinks.

Deathtrap at the Noel Coward Theatre

In order to generate publicity for his 1959 thriller The Tingler the film director William Castle is supposed to have installed buzzers under the seats of certain cinemas in which the film was playing in order to give his audience a rather literal jolt.

From the way the women in front of me leapt into the air during a key moment in Matthew Warchus’ revival of Ira Levin’s 1978 comedy thriller, Deathtrap, it looked a lot like Castle had been tinkering with their chairs.

For the most part Warchus’ production is a slick and solid revival of a play that doesn't quite make the case for all the love that has been lavished on it. There are a couple of proper shocks but there’s also a constant flow of self-reference, which is amusing at first but becomes a little tedious towards the end.

The play begins with faded playwright Sidney Bruhl receiving a manuscript in the post from a former student. Bruhl hasn’t had a hit in years and has been living off his wife’s money so this play, a well-constructed, marketable “five-character, two-act thriller with laughs in all the right places,” is the kind of thing he might literally kill for. He invites the young writer to his Connecticut cottage to talk things through as his increasingly nervous wife, Myra, watches on, worried about what her husband might be driven to do.

The story that follows is stuffed with twists and bluffs and double crosses. Part of the joy comes in the element of surprise, in not seeing these turns and lurches coming (the programme urges the audience not to give things away and spoil it for others), so it’s difficult to discuss the plot further without divulging too much.

Levin’s play doubles as a pastiche of the genre it inhabits and the characters are forever pointing out how what’s happening would make a good play. In fact in the second act, one of them begins to write that very play, adding to the already thick layer of self-reference. The first half is rather talky and slow to get going but, once it’s been established that nothing is quite what it initially appears, Warchus maintains an admirably high level of tension (that fact that Bruhl’s home is strewn with weapons, theatrical souvenirs and antique finds, helps considerably in this regard).

Though it’s probably fair to assume that the meta elements of Levin’s play felt fresher when it was first staged, the constant commenting on its own structure, which begins as a fairly witty conceit, soon becomes an overused device, one that acknowledges but doesn’t compensate for the occasional weaknesses of the writing; it sometimes feels as if the play is not so much winking at the audience as winking at itself in a mirror just over their shoulder.

That said, Simon Russell Beale is predictably delightful as Bruhl; his timing is impeccable, each gesture and glance well-judged, and he gives the character a surprising level of emotional complexity, one perhaps not supplied by the writing. Glee’s Jonathan Groff is able enough as the young playwright, Clifford, respectful and eager but also clearly ambitious. Claire Skinner however seems ill at ease as Myra, her accent wavering, and Estelle Parsons casts asides any notion of nuance in her cameo as the psychic Swede, Helga ten Dorp.

Rob Howell’s beamed barn-like set is impressive and full of shadows, an effect heightened during the inevitable climactic thunderstorm. But though the production as a whole is undemanding and fun, it can feel a bit overstretched and at times a bit self-satisfied; its entertaining nature however helps override some of these niggles.

Reviewed for musicOMH

Labels: , , , , , ,

posted by Interval Drinks at 6:02 AM

Yes, we went to see Deathtrap on Monday and would pretty much agree with all of this. It's an entertaining play but really doesn't stand up to a modern revival, and you may be left afterwards thibk it was all just a bit of nonsense really.

Posted via email from Andy Roberts

Rearing carp: Dinner's in the small pond.

This is very interesting. At first I thought "No way you could possibly raise carp for eating in a small pond" but now I'm starting to look at it again. Mind you , the definition of a small pond is at least 3 metres squared, so that's not what we always mean by a small garden pond here,

First it was fruit and veg. Then we turned our hands to keeping chickens and bees. Could the next thing be using the garden pond to grow our own edible carp? Is it time for Gordon the Goldfish to move over?

Jimmie Hepburn, formerly a salmon farmer in Scotland and one of Britain's leading experts in organic aquaculture, certainly believes so. He argues that at a time of depleted wild fish stocks – predicted by some scientists to collapse by 2048 – backyard carp could play a vital role in feeding us.

The joy of carp is that, unlike most other farmed fish – which depend on a diet of meal made from wild fish (which further depletes fish stocks) – carp are omnivorous and devour almost anything. Basically, they're the aquatic equivalent of the household pig that was fattened on kitchen scraps.

"At present we're locked into a stone-age system of fish farming using wild fish that's completely unsustainable," says Jimmie. "Now that wild stocks are pretty much exhausted, we have to think of other ways of producing fish."

One answer, Jimmie believes, is back-garden fishponds like those that helped to feed us in medieval times. The challenge is to persuade Britain's pond owners to rear fish as food rather than ornament.

"Unlike on the Continent, in Britain we love our ponds – we have over two million in this country. So there's a huge interest already. Fish is part of our culture," says Jimmie, who admits to becoming hooked on fish at the age of five and now runs Britain's first organic carp farm.

"I chose carp as it's the easiest fish to rear, and the fastest-growing. And, unlike other farmed fish such as salmon and trout, they don't need lots of fresh running water."

This autumn Jimmy and his wife, Penny, will be running small-scale fish farming courses to help people get going. Last month they gave me a taster course at the 10-acre former trout farm, hidden in deep Devonshire countryside, that they bought in 2006. "All you need is a pond that's at least 3 by 3 metres," says Jimmie as we tour his 17 ponds, keeping an eye out for kingfishers which unfortunately are as enthusiastic about Jimmie's new venture as he is.

"We feed our carp a mixture of grains," he explains, showing me a tub of soaking grains that look much like my morning muesli. "The bigger ponds also get regular doses of organic cow manure, which creates its own ecosystem of algae and plankton that provides the fish with around half the food they need."

Carp ponds are great for children as they can help to feed the fish – anything from worms to bread, says Jimmie, who hopes soon to invite schools to visit so that children can be given a chance to grasp the idea of rearing their own edible fish. Will carp ponds one day be a feature of the school playground? I wonder.

"You stock your pond in the spring with baby carp. In around three years you will have plate-size fish which make a very presentable family supper. The best months to harvest them are November to February."

A murky carp pond may not be as eye-catching as an ornamental one, just as a veg patch can lack the visual appeal of a herbaceous border. But given the constant stream of inquiries he has received, Jimmie believes perceptions are changing. "Many people now find a pond that's producing for the pot more attractive than one that's just designed for the eye," he says.

So with carp as easy to grow as cucumbers, what's not to like? Some complain about the taste, which they say is muddy. Carp rarely features on restaurant menus and you'll be hard-pressed to find it in your local fishmonger or supermarket. Let's face it, from a gastronomic point of view, carp isn't cool.

In Britain, that is. But look further afield and you realise we're on our own. In Asia, among the Jewish community, and in Eastern Europe, carp is highly sought-after. More carp are farmed for the table worldwide than any other fish. In Poland and the Czech Republic the fish is the prized centrepiece of the Christmas festive dinner – visit any home on Christmas Eve and you're likely to encounter a carp languishing in the bathtub, waiting for its final knock on the head before being turned into a feast.

There are signs things may be slowly changing here in Britain. When Hugh Fearnley-Whittingstall did blind tastings for his TV series on fish two years ago carp came out surprisingly well. London's El Vino chain of wine bars has been putting Jimmie's carp on its menus, and several supermarkets now sell carp at Christmas, mainly for their East European clientele. Consumers are also increasingly eco-conscious, with many preferring to buy fish they see as truly sustainable to fish that's been fed a diet of wild fish and then flown across the planet.

A harder nut for Jimmie to crack will be Britain's four-million-odd anglers who are currently mourning the recent death of Two Tone, a gargantuan mirror carp which held the British record at 67lb 14oz and had apparently been caught no fewer than 50 times. With carp seen as deity rather than dinner (to borrow a phrase from Hugh Fearnley-Whittingstall), the idea of eating carp is considered unthinkable by anglers – but this is something Jimmie hopes to change. "Even anglers are going to have to face the fact that we're running out of food and that we're going to have to farm fish to feed future generations," he says. "I'm running this carp farm for my grandchildren. People talk about peak oil, but we reached peak fish about 15 years ago. We have to start thinking outside the box."

Jimmie is optimistic that both government and public will come round to seeing small-scale sustainable aquaculture as one viable solution. He points up the hill towards Dunkeswell Abbey, a Cistercian monastery founded in 1201. "The monks kept ponds with carp in them to eat on Fridays when meat was forbidden. The sea was 20 miles away, much too far to get fresh fish," he says. "We've come full circle. We're reconnecting with the knowledge that people had then, and realising that we have to work with nature rather than against it."

We are back at the shed where Jimmie keeps fish which are about to be eaten in special tanks. To purge them of their muddy taste, carp need to be kept in clean water for a couple of days. Jimmie nets a large pewter-coloured carp, whom I christen Charlie. As I hold him in my hands his scaly skin shines with a gold tint. Colour and size apart, he looks remarkably like the goldfish in my pond at home – perhaps not surprising given that they belong to the same family.

Charlie is dispatched and handed over to Penny, who works her culinary magic, stuffing him with ginger, lemongrass and peppers (see recipe). Half an hour later we sit down to lunch inside the farmhouse. I take a mouthful. It doesn't have a strong taste and there's a hint of sea bass. It slips down remarkably well and I'm soon back for more. I reckon I could happily enjoy home-grown carp on Fridays like those medieval monks. Carp and chips anyone?

Jimmie Hepburn is running small-scale fish farming courses at Upper Hayne Farm, Cullompton, Devon, on 18 September and 8-10 October (residential). Aquavisiononline.co.uk

How to grow carp

* Prepare your pond. You may be able simply to convert your existing pond, but if it's choked with weed and silt it will be less productive, so you should clear it and start again. Make sure your pond has an area where it is at least 2.5ft deep.

* Size. The smallest pond you could rear carp in would be 3 by 3 metres, ie 9sq metres. A slightly larger pond, eg 5 by 5 metres, is ideal. Garden-size ponds will probably require a filter and pump to stop them silting up. These cost around �250 upwards.

I haven't seen carp for sale in supermarket at Christmas time here yet but there are plenty of East European people about so I'll keep a look out this year.

Posted via email from Andy Roberts

Wednesday, September 08, 2010

Instead of blogs, email newsletters by paid subscription

Blogs are now so ubiquitous and the internet so vast that the information communicated in them loses its value the minute it's published. So, at least, believes Drop.io founder Sam Lessin, who recently created Letter.ly to launch — or, perhaps, relaunch — the subscription email newsletter as a new, premium alternative.

Billed as “the simple way to sell email subscription newsletters,” Letter.ly allows those with something to say to communicate it in a directed, private way to those who pay to hear it. Users begin by creating a free Letter.ly seller account. From there they create the name of their information “product,” receive a unique Letter.ly URL and set a price per month. They can also connect their Facebook account to post the subject lines of their letters as status updates, or a Twitter account to tweet them. Either way, interested readers can then subscribe to the email newsletter at the associated URL and pay through Amazon. Newsletters can be published as frequently as the user chooses, and subscribers can reply privately with comments. Users can unsubscribe readers at will, and they can also give away free subscriptions to those of their choice. When they're ready to collect their earnings, New York-based Letter.ly offers a simple way to “cash out.”

Lessin explains: “Delivering information to the inboxes of people I truly respect means that I can't get away with half truths/linguistic games. I need to truly believe what I say before I hit send.” At the other end, meanwhile, “anyone I don't know is free to signal real commitment to think about/comment back by paying. No slackers allowed.”

There are currently some 500 Letter.ly subscription newsletters in publication, most ranging from USD 1.99 to USD 4.00 per month. One to try out as a revenue-generating alternative to your information-rich blog...?

Website: www.letter.ly
Contact: wishes@dropio.com

Would you pay to receive a regular important newsletter that's relevant to what you do?

Posted via email from Andy Roberts

9/8 Andy Roberts Podcast Episode 10

Full details from the tenth podcast in the acoustic guitar series, as it happened, virtually unedited. For mellow listening while out and about on a journey somewhere, and with a call for reponses on individual songs on the andy roberts youtube video channel.

























     


















































































    Andy Roberts    
   

























10 : Andy Roberts Music Podcast
September 7, 2010 at 11:00 PM












 


Four Original Songs + 1 Bob Dylan in the Andy Roberts music podcast Episode 10



There’s a bit of an improvised introduction tune followed by four more original Andy Roberts music songs and a final Bob Dylan song in this weeks podcast, all played on the 12 string guitar. Two of the songs are  revivals from the Andy Roberts Tapes which was recorded in 1980, the other two are a bit newer, well Shifting Sands dates back to spring 2003 as far as I can remember and the Cajun cooking song was written on that Spain trip which immediately followed, so yes, two from the tapes and two from The Gernika album.



Here are the links and shownotes for Podcast Episode 10:







Subscribe to the podcast RSS feed using the url:



http://andyroberts.me/?feed=podcast



Subscribe in iTunes: http://itunes.apple.com/us/podcast/andy-roberts/id378470885



You can also download the MP3 audio file which is 24.4Mb in size and 25 minutes long from this link



10 Andy Roberts Podcast Episode 10.mp3



There’s also a stored video file from the live broadcast over at Ustream.tv where the podcasting event takes place on Tuesdays at 7.00pm UK time



Video Podcast Episode No 10



Podcast Episode 10 Show Notes



Show notes and information for Podcast Episode 10 broadcast on September 7th, published on September 7th 2010.



Improvised Intro



Ephemeral work with lyrics and music by And Roberts



Joan of Ark



Named after a specific Hotel in the Marais, Paris, Andy Roberts’ song Joan of Ark tends to get wheeled out every autumn due to the seasonal references. From The Andy Roberts Tapes



Shifting Sands



I may have played this recently, not sure now, but anyway here it is again. Music and Lyrics by Andy Roberts.





Suitcase



Another one from the tapes, and a kind of sequel to the above really. I’m not really completely comfortable with being the person who wrote this song, all that time ago, but the tune is catchy and the guitar runs were developed for the 12 string guitar, yes the same guitar.



Cajun Music Cajun Food



One of the Spanish songs, and still crying out for a fiddle and accordion but I do my best with the solo guitar.  From the album Gernika



I Shall Be Released



Music and lyrics by Bob Dylan, arrangement Andy Roberts











Media Files
10 Andy Roberts Podcast Episode 10.mp3 (MP3 Audio, 23.3 MB)
   


Tuesday, September 07, 2010

Deathtrap

Deathtrap the play opens in London's West End tonight. I went to see it last night, and had a great time at the Noel Coward Theatre. It's a clever and funny play, well staged and acted, but possibly a little dated for 2010. Still, you come away having seen a good and proper play on a real live theatre stage. Should be popular for theatre breaks to see plays in London over the winter season

Amplify’d from Deathtrap The Play

"Deathtrap" is a play about a play called "Deathtrap."

Read more at theatrebreaks.co
 

Monday, September 06, 2010

I'm keeping up with http://750words.com religiously on a daily basis, but I'm not yet convinced it's the best practice for what I do. Something makes me want to keep going with the experiment over a longer period. http://amplify.com/u/9t0e

Sunday, September 05, 2010

Havering Folk Club News 5th September 2010

Havering Folk Club News

5th September 2010

 

Hi all,

 

Peter here in case you hadn’t guessed.

 

Last Session:

Our session on 1st September was another enjoyable affair. Pep took on the MC’s duties this time and after he and Terry started the evening off, he introduced Andy Roberts, Mike Willmore, Rockin’ Bob Cash, John Clarke, myself, Foxen, Dave Worley, Kriss Pouch, Linda Worley, Jane Thomson, Tony Thomson and finally, Helen Islip. With 14 floor spots there was time to start a second round and although unfortunately, not everyone was able to do a third song, there was nevertheless time for several to do so.

 

A Correction:

The more eagle-eyed of you phoned to let me know of my “deliberate” mistake last week. I said that the folk nights on The Gladys were on Wednesday; well of course, they’re not. They are still on Thursday! I paste the whole of last week’s corrected paragraph below:

 

Contrary to what many seem to think, Folk on the Gladys has not gone into hibernation, but is still going strong. The aforementioned Moryarty is the man now in charge of the sessions at this “Pub on a Tub” which is moored at Benfleet Creek, off Ferry Road, South Benfleet , SS7 1NF . The sessions are held every third Thursday of the month at 8pm. Just turn up and sing or phone Moryarty on 07818 868681 or email moryartysbox@yahoo.co.uk

 

Other Stuff:

The Wat Tyler Folk Festival takes place on Sunday 12th September from midday to 7pm at Wat Tyler Country Park, Pitsea Hall Lane, Pitsea, Basildon, SS16 4UH. Artists appearing include Adrian Edmondson & The Bad Shepherds, Faustus, Talbot, McCusker & Hewardine plus several others. Food and a selection of real ales are also available. Admition is £12 or £8. Booking office 01268 465465

 

The Fab Club are running two sessions at the  festival. The first is on a stage in the beer hall from 12noon – 3pm and will feature sets from 11 “Fabbers” though I’m not sure who at the moment. Then from 3pm – 5pm Trevor & Sue (Tone Deaf Leopard) and Bill Pardon will be running a singaround at The Thatched Cottage which is within the country park. Take note – if you’re going along for the singaround only, then you will not be charged an admission fee: the singaround is free!

 

Also on Sunday, 12th September, our own Linda Worley will be singing with her choir, Funky Voices at the Essex Country Show at Barleylands Farm, Barleylands Road, Billericay, CM11 2UD. Tickets for the Country Show are adults £10, Child (3 – 12) £5, Senior Citizen £7, Family Ticket (2 + 2) £25. Book online at www.essexcountryshow.co.uk  or telephone 01268 290222

 

Back to HFC:

Our next merry meeting is Wednesday 8th September, when once again, all are welcome to come along to sing, play or simply listen to some great music in a friendly atmosphere: Then the following week, 15th September we have our guest artists, all the way from Australia, Cloud Street.

 

So Make it a date – Wednesday at eight!

 

Cheers – Peter W.

 

 

Havering Folk Club, The Golden Lion, 2 High Street, Romford, RM1 1HR

 

                                    www.haveringfolkclub.bravehost.com


Posted via email from Andy Roberts

Andy Roberts Podcast Episode 9


     
    Andy Roberts    
   
Episode 9 Back from France
September 1, 2010 at 9:40 AM
 

A couple of hours back from France, I still wanted to do the weekly podcast but episode 9 nearly got lost forever due a glitch with Ustream. This morning is had processed OK though, so here we have the Andy Roberts Podcast Episode 9 with some new and old songs as usual. I’m still working on the combined song about the walk and the rain, with the six string open tuned in D minor, so I had a go at that one live to kick off the show last night. There’s still more work to be done, but it seems to be a slow process with this one.

The other songs are all played on the 12 string guitar again.

So here are the links for Podcast Episode 9:

Subscribe to the podcast RSS feed using the url:

http://andyroberts.me/?feed=podcast

Subscribe in iTunes: http://itunes.apple.com/podcast/andy-roberts/id378470885

You can also download the MP3 audio file which is 27.9Mb in size and 29 minutes long from this link

09 Andy Roberts Podcast Episode 9.mp3

There’s also a stored video file from the live broadcast over at Ustream.tv where the podcasting event takes place on Tuesdays at 7.00pm UK time

Video Podcast Episode No 9

Podcast Episode 9 Show Notes

Show notes and information for Podcast Episode 9 broadcast on August 31st, published on September 1st 2010.

Working Title: Changes

Unfinished work with lyrics and music by And Roberts

Biggleswade Stomp

Just a quick blast of the Biggleswade stomp by Andy Roberts and Gaseous Mass

Reason To Believe

An old favourite song by Tim Hardin, which you may know as the A side of Maggie May by Rod Stewart.

San Francisco – Maxime le Forestier

My favourite song to sing in French, by one of France’s best loved singer songwriters from the 1970s.


Mazet – Andy Roberts

After meeting up with one of my old pals from the Cafe Mazet last week after 30 years, I couldn’t resist playing this one.

Now That I’m Living Here – Andy Roberts

Another Andy Roberts Revival song, I had to relearn the chords to this one last year but ever since have kept it high in the repertoire.

Media Files
09 Andy Roberts Podcast Episode 9.mp3 (MP3 Audio, 25.7 MB)
   

Posted via email from Andy Roberts